Connected Magazine

Main Menu

  • News
  • Products
    • Audio
    • Collaboration
    • Control
    • Digital Signage
    • Education
    • IoT
    • Networking
    • Software
    • Video
  • Reviews
  • Sponsored
  • Integrate
    • Integrate 2025
    • Integrate 2024
    • Integrate 2023
    • Integrate 2022
    • Integrate 2021

logo

Connected Magazine

  • News
  • Products
    • Audio
    • Collaboration
    • Control
    • Digital Signage
    • Education
    • IoT
    • Networking
    • Software
    • Video
  • Reviews
  • Sponsored
  • Integrate
    • Integrate 2025
    • Integrate 2024
    • Integrate 2023
    • Integrate 2022
    • Integrate 2021
Features
Home›Features›Auracast takes centre stage: Comparing Auracast solutions available in Australia

Auracast takes centre stage: Comparing Auracast solutions available in Australia

By Staff Writer
13/04/2026
0
0

This year, Connected magazine’s Comparison Table shines a spotlight on Auracast, a technology that’s transforming the way we listen, share and control audio.

It’s always exciting to kick off a new year with a fresh look at the products, tools and tech that are shaping the way we work, listen and connect. As with the first edition of the year in each Connected, the comparison table highlights products on the market that are revolutionising the AV space and we’re diving into something that’s been quietly transforming the way people interact with audio: Auracast.

ADVERTISEMENT

If you’ve been keeping an ear to the ground, you’ll know this is one of those technologies that seems simple at first glance, but has the potential to reshape the landscape of audio delivery.

At Connected, we like to spotlight products and categories that are not only growing fast but are also genuinely improving the experiences of the people using them. Auracast fits that bill perfectly. Over the past year, we’ve seen it move from a niche curiosity to a tool with real, tangible benefits across work, leisure and public spaces.

So why Auracast? For starters, it’s gaining popularity fast. Whether you’re at a workplace, an educational setting or even a public venue, Auracast opens new ways to share audio directly with listeners, removing the barriers of traditional broadcasting or hardware-heavy setups.

In a world where flexibility and mobility are increasingly valued, Auracast allows anyone with a compatible device to tap in seamlessly. It’s a win-win: Content creators get wider reach, listeners get more control and the tech itself encourages smarter, more user-friendly audio environments.

“The demand for this technology is mostly being driven by venues and integrators, rather than by just a compliance and regulatory push,” Amber Technology business category manager Mikael Sandstrom explains. Amber Technology distributes the Williams AV range of Auracast solutions.

“One key advantage is true stereo audio, which opens up completely new opportunities. Imagine a sports match or a concert where thousands of people were wearing headphones and listening to the mix directly in stereo. It’s not just for the hearing impaired; it’s for the audiophile too,” he says.

Beyond the obvious benefits, there’s a layer of nitty-gritty tech that makes Auracast genuinely interesting to professionals in the space. Auracast isn’t just about streaming audio; it’s about orchestrating the listening experience in a way that feels natural. It uses advanced broadcasting protocols to manage multiple streams efficiently, reduce latency and ensure audio clarity even when multiple users are tuned in at once.

For venues and event organisers, this is a game-changer. No longer are listeners battling poor signal or confusing setups. Auracast brings a level of predictability and reliability that was previously hard to achieve.

Jands distributes a range of Auracast solutions, including Auri by Listen Technologies and Ampetronic, which was used in one of the first Auracast stadium installations in Australasia, Stadium Taranki in Plymouth, New Zealand.

Jands business development manager Andrew Attard has seen some world-class venues already making use of this technology: “Places like the Sydney Opera House, ICC Sydney and the Queensland Performing Arts Centre (QPAC) have all made use of Auracast technology. I’ve actually enjoyed the experience more on my headphones than on the PA system, even though I’m not hearing impaired.

“It’s not because the traditional systems are bad, but because the acoustic barrier between myself and the artist is gone, and I can hear them like they’re rehearsing right in front of me. I can hear certain subtleties like someone breathing in between songs and it’s a very personal and immersive experience.”

Unlike other transmitters, Auri can even broadcast two simultaneous stereo streams from the same inputs. In a theatre, for example, it can send one stream optimised for hearing aids or cochlear implants that are Auracast compatible and another in high-fidelity 24kHz stereo for attendees wanting the best possible sound, all without needing separate hardware. It’s exactly this kind of flexibility that shows the real promise of Auracast in professional environments.

One of the key features that stood out in our coverage is the ability for users to choose their own listening experiences. Want to join a talk or a seminar but skip the background music? Auracast can make that happen. It’s customisable, responsive and built for the kinds of dynamic environments where traditional audio solutions often fall short. From a practical standpoint, it empowers listeners and operators alike, giving them tools to control volume, mix streams and manage multiple inputs without breaking a sweat.

We’ve also seen a lot of positive feedback from early adopters, which makes it clear that this isn’t just a tech trend, it’s a solution people genuinely value. Schools, corporates and live venues are reporting smoother setups, fewer interruptions and happier audiences. In other words, Auracast isn’t just a cool new feature; it’s a practical upgrade that meets real needs.

“Auracast won’t face the same challenges as hearing loops. Infinium Auracast solutions are easy to retrofit and require minimal pre-engineering,” Mikael explains.

“Gone are the days of coordinating with builders about when flooring goes down to lay copper loops. The Infinium system can be installed right at the end of the project with ease. That said, the same principles still apply; ensuring sufficient receiver coverage, clear signage and accessibility to hearing-impaired users is essential.”

Looking ahead, the growth potential in this space is huge. As more devices adopt compatible protocols and as awareness increases, Auracast could become a staple in everyday audio delivery. The industry is imagining a world where workplace meeting audio is instantly accessible to everyone, seamless assistive listening in theatres and public events where every attendee can tailor their own experience, all without complicated setups or additional hardware.

Here’s to a year of smart listening, smoother setups and the technologies that make them possible.

Below is a detailed comparison table of Auracast solutions on the market today.

2025 Comparison Table - Auracast

To expand or contract the table, limit the number of rows shown, use the pagination on the top-right of the table and to see more information, use the horizontal scroller to see other columns. To search for a specific brand or product, use the search bar.
Company nameProduct nameAustralian DistributorNew Zealand DistributorStreams per deviceStream configurationsMaximum advertising intervalRF transmit powerTypical range (line-of-sight)Recommended installed coverageTypical end-to-end latencyTypeWeight/sizePropietary or interoperable?BatteryDisplayDocking station optionsAudio output optionsAccessibility optionsEthernet and port speedPoENetworked audioDevice discovery methodMonitoring/telemetry Power inputTypical power drawMounting optionsHelpline numberWarrantyAdditional feature(s)Additional feature(s)Additional feature(s)Additional feature(s)
Williams AV
williamsav.com
InfiniumAmber Technology
ambertech.com.au
NSL
nsl.co.nz
TwoMono/stereo/dual mono50ms+10dBm100mDependent on environmental conditions, contact<40msBodypack0.108kgProgrammable proprietary or interoperableLithium-ion camera-style rechargeable battery; field replaceable. 3.7Vdc, 1200mAhOLEDTwo bay, six bay, 12-bay chargers available3.5mm stereo jack for stereo or mono headphones,
earphones or neck loops
Balance control, neckloop volume modeYes. Two ports: Control and Dante. 10/100 Base-T IEEE 802.3 compliant802.3af.Dante compatibleDanteReal-time, presence, status, device settings (naming, enable/disable, encryption, sample rate etc.)Transmitter: PoE
Controller: 100-240 VAC, 50/60 Hz
1.8WTransmitter: Ceiling/wall/electrical boxes (Aus/NZ/US/EU/UK)
Controller: Rack mount optin.
+1.952.943.2252Two years parts and laborTransmitter array architecture enabling seamless transmitter hoppingEnterprise online managementThird-party Rest APIDSP Functions: Compression, high-pass/low-pass filters, audio presets
Bettear
bettear.com
B-CasterMadisonAV
madisonav.com.au
JPRO
jpro.co.nz
TwoStereo broadcast, mix mono, dual mono10ms20dBm>100m80m radius, but it depends on the site<40msCan be installed on walls, ceilings and can be portable when installed on microphone stands 0.42kgInteroperable (Auracast enabled)None (DC or PoE powered)LED indicators (Power, broadcasting, LAN)N/A (network/RF output only)Hearing aid, cochlear, earphones support (48/24/12Khz LC3 quality modes), AGC, LPF and HPF LAN 1 (1Gbps, PoE In); LAN 2 (1Gbps, PoE Out - CASTER-S only)IEEE 802.3at (PoE+, 30W) Between B-Caster and DanteBuilt-in Web Management Dashboard 12VDC 2.5A or PoE+ 3.2W (Single Mode), 8W (Cascade Mode) Wall, ceiling, tripod Stand (3/8" thread) 1800 00 77 80TwoSecure Encrypted Streaming using the B-Pass, cascading (Power/Audio), external antennas (B-caster-XT)
Bettear
bettear.com
B-RTX (Duplex): Auracast TransceiverMadisonAV
madisonav.com.au
JPRO
jpro.co.nz
OneMono with a microphone attached, Stereo when playing MP3 On-Demand10ms20dBm>100mUp to 50m, as this is a typical range of a tour group<40msHandheld0.12kgInteroperable (Auracast enabled)>10 hours continuous operation
(Li-Poly battery)
Vibrant colour screen B-SmartHive and 4Hive3.5mm TRRS audio jack (Headphones, neck-loops) Compatible with headphones, neck-loops and hearing aids via external Bluetooth transmitterVia B-SmartHive and Hive CentralUSB-C0.2WBelt clip/lanyard 1800 00 77 80TwoMP3 player (SD Card), audio ducking, receiver and transmitter modes, sound card mode (speech to text enhancement)
Humantechnik
humantechnik.com
earis MAX TransmitterMadisonAV
madisonav.com.au
MadisonAV
madisonav.com.au
OneStereo Broadcast 10ms10dBm30m 30m radius<50msAny Auracast enabled receiver0.90kgInteroperable (Auracast enabled)None (DC powered)LED Indicators (Bluetooth status, input selection)Mni toslink/analogueHearing aid, cochlear, earphones support, LC3, SBCUSB-C 5VDC300mA 1800 00 77 80TwoOption to transmit Bluetooth, Bluetooth LE audio and Auracast depending on receiver. Pair with earis MAX over-the-ear headphones with a customisable listening profile via assistant app
Moor Technology
moor-audio.com
SoundLinker Portable Bluetooth Auracast Audio TransmitterHearing Loop Australia
hearingloop.com.au
One≤ 10dBm50m40msHandheld, pendant, fixed0.025kgCIS mode, broadcast mode5V/100mA 350mAh3.5mm, USB, microphone (input)5V/100mA mains charging30mW @ 32 ΩLapel clip, fixed at audio source1300 669 721One
Moor Technology
moor-audio.com
TV hearMore Bluetooth Auracast Audio TransmitterHearing Loop Australia
hearingloop.com.au
One≤ 10dBm30m <60msFixed at audio source0.092kgCIS mode, broadcast mode5V without batteryOptical, AUX, mic, HDMI (input)MainsFixed at audio source 1300 669 721OneAudio bypass: Optical and AUX line out
Moor Technology
moor-audio.com
MoerDuo Auracast Audio TransceiverHearing Loop Australia
hearingloop.com.au
One≤ 10dBm30m <60msHandheld, pendant, fixed0.01kgCIS mode, broadcast mode5V/100mA 150mAhYes - 20 port docking station3.5mm, USB, microphone (input)Optional neckloop5V/100mA mains charging30mW @ 32 ΩLapel clip, fixed at audio source1300 669 721One
Moor Technology
moor-audio.com
MoerDuo Plus Auracast Audio ReceiverHearing Loop Australia
hearingloop.com.au
One≤ 10dBm30m<60msHandheld, pendant0.01kgBT classic, broadcast mode5V/100mA Yes - 20 port docking station3.5mm line out, USB audio (input)Optional neckloop5V/100mA mains charging42mW @ 32 ΩLapel clip1300 669 721One
Moor Technology
moor-audio.com
EchoBeatz ANC Auracast Wireless Headphones (with DB100)Hearing Loop Australia
hearingloop.com.au
One20m20msOver ear headphones0.275kgBT classic, broadcast mode, ultra-low latency3.5mm (input)1300 669 721One
Moor Technology
moor-audio.com
hearClear Auracast Wireless EarbudsHearing Loop Australia
hearingloop.com.au
One15m<60msEar buds.0042kg per earbudBT classic, broadcast modeEarbuds - 3.7V/40mAh
Charging Case - 3.7V/350mAh
noVoice enhancement1300 669 721One
Moor Technology
moor-audio.com
Overtue Auracast Wireless SpeakerHearing Loop Australia
hearingloop.com.au
OneStereo20m<60msSpeaker2.9kgBT classic, broadcast modeLithium 11.1V/2,500mAh3.5mm (input)5V USB or PD1300 669 721One
Moor Technology
moor-audio.com
The Show Auracast Wireless SpeakerHearing Loop Australia
hearingloop.com.au
OneStereo20m<60msSpeaker3.09kgBT classic, broadcast modeLithium 11.1V/2,500mAh3.5mm (input)5V USB or PD1300 669 721One
Ampetronic & Listen Technologies
av.ampetronic.com
AuriJands
jands.com.au
Jands
jands.com.au
TwoMono, stereo
(Selectable per transmission stream)
5ms+10dBm80m2,500m 229ms-45ms (depending on audio sample rate selected)Body pack0.07kgProprietaryLithium Polymer, 3.7Vdc, >20 hoursOLED4 bay and 16 bay3.5mm (one either side of device)Three options for sample rate,
16kHz, 24kHz and 48kHz
Control port - 100MbitPoE IEEE 802.3afDante option available
Also Multicast RTP for repeater mode
mDNS, UDP (unicast), RTP (multicast), RTCP (multicast)Real time status via Manager software or APIPoE and/or USB-C 5V PDUSB-C: 5 V, 370 mA (1.85 W)
PoE: 48 V, 53 mA (2.54 W)
Removable wall/ceiling bracket
Multiple holes to support mounting on standard UK, EU and US electrical back boxes and VESA 75
02 9582 0909FiveEncryption: AES128-CCM encryption, with 4-16 character password

  • ADVERTISEMENT

  • ADVERTISEMENT

Previous Article

Chowmainsoft adds Shelly BLU support to Control4 ...

Next Article

InfoComm 2026 Women’s Breakfast to feature Mariana ...

  • ADVERTISEMENT

  • ADVERTISEMENT

Advertisement

Sign up to our newsletter

Advertisement

Advertisement

Advertisement

Advertisement

  • HOME
  • ABOUT CONNECTED
  • DOWNLOAD MEDIA KIT
  • CONTRIBUTE
  • CONTACT US